Classically Inclined

August 8, 2018

Classics (and me) at Nine Worlds!

Filed under: Out and about — lizgloyn @ 9:30 am
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This is slightly short notice, but better late than never – I’m going to be at Nine Worlds in London this weekend!

More specifically, I’m going to be at Nine Worlds on Saturday, and you can listen to me geek out about Hercules and Xena:

Classical Reception in Xena: Warrior Princess and Hercules: The Legendary Journeys

In a time of ancient gods, warlords and kings, a land in turmoil cried out for a hero – two heroes, to be precise. Classicists Liz Gloyn, Juliette Harrisson and Nick Lowe unpick the wild, weird, and wonderful workings of classical antiquity in Hercules: The Legendary Journeys and Xena: Warrior Princess. Come with us to a time of myth and legend, when the ancient gods were petty and cruel – and monsters, muscles, and martial arts were brought to bear on the deconstruction of patriarchal canons and the decolonisation of foundational narratives of the west.

You may have already guessed that this is an offshoot of the Monster Book, because it is, but it’s also a chance to talk about how classical reception works in the Xenaverse, which has had such long cultural reach since its creation in loads of really unexpected ways.

It is also part of my on-going sneaky attempt to create an unofficial classics track at Nine Worlds; we’ve not quite managed last year’s critical mass, but you might also be interested in:

I have left this post a leeetle bit late as today is the last day to buy tickets, but I’m looking forward to seeing some of you there!

Edit: as pointed out in the comments, tickets will be available on the door as well – so don’t let a last-minute opportunity pass you by if it fits your schedule!

January 2, 2018

Myths & Monsters – now on Netflix

Filed under: Out and about — lizgloyn @ 8:29 am
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Happy new year! I know I’ve been a bit absent from this blog, mainly because I’ve been channeling most of my energy into researching and writing the Monster Book. I’m not expecting much to change as far as that’s concerned for the next few months, but hopefully by the summer I’ll be writing a bit more regularly.

In the meantime, I’m delighted that the television series I did some interviews for as a talking head, Myths & Monsters, is now available on Netflix! Here’s the trailer:

I’ve only watched the first three episodes so far, but I’ve enjoyed them as good, accessible, interesting television with some great visuals. It’s also been quite enlightening in terms of my first go at doing television work; the series consists of six 45 minute episodes, and over the course of three interviews they must have that much footage of me on my own! So I’ve been very interested to see what’s happened in terms of taking that much material and condensing it into a programme alongside other academics and the series presenter.

Anyway, regardless of whether this looks like your cup of tea or not, I hope you are all refreshed after the break and wish you all a joyful 2018.

November 21, 2017

Why do we need monsters?

Filed under: Research — lizgloyn @ 11:03 am
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I almost feel I should be apologising for the radio silence over here, but I shan’t – I’m just coming out of a very busy period for my admin job at work, plus I’m teaching and trying to write two thousand words a week on the monster project, and I recently realised that while I am doing very well at not committing to more things than I have promised myself I will this year,  I seem to have agreed to do the vast majority of them this term. This means I can look forward to a summer of lying on the lawn and reading critical theory, but it does mean that my bandwidth for blogging at present is rather limited.

However! One of the things I have done is talk as part of an evening put on by the Institute of Classical Studies about ‘Why Do We Need Monsters?‘ This was great fun for a number of reasons, not least the chance to hear from other people working on monsters in one way or another, and some audience-led experimentation with making our own digital monsters (nothing like seeing where hybrids take people’s fancy). I know that a lot of people were interested in this event but weren’t able to make it, so I’m delighted to say that it was all recorded and is available on Youtube! I link to it here for your delection – enjoy. I start talking at about 40 minutes in, but you should definitely listen to the other talks if you have the time.

August 23, 2017

New publication: At Home with the Stoics

Filed under: Research — lizgloyn @ 5:12 pm
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Front cover of History Today, August 2017 issue.

The front cover!

I’m really excited to share that I have an article out in the September issue of History Today magazine! The article is called ‘At Home With The Stoics’, and draws on the research that went into my book on Seneca and the ethics of the family.

I was particularly excited about this piece because of the publication venue. The Ethics of the Family in Seneca is, putting it bluntly, a very academic book, written with a lot of jargon and in a particular writing style; while I do try to write clearly, I will be the first to admit that it’s not the most accessible form of writing. It’s also not the most accessible form of publishing; although you can purchase a copy for your Kindle, the £70+ price tag may well be a considerable obstacle, as may be the investment of time needed to work through the book. For someone with a casual rather than a professional interest, that’s a pretty high bar.

So having the opportunity to share some of the highlights of my research in a much shorter form for a much wider audience was really exciting, and a great opportunity for me to come back to the research with a fresh pair of eyes. I found myself working out all sorts of things that I hadn’t paid much attention to during the process of writing the book, mainly about Seneca’s own family situation, and came up with a completely different structure to get those important ideas across. It was a really fun piece to write, and I hope that the readers of History Today enjoy reading it.

May 6, 2015

New publication: In A Galaxy Far, Far Away: On Classical Reception and Science Fiction

Filed under: Research — lizgloyn @ 9:57 am
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Following on my recent blog post about science fiction, classical reception and fannishness, I’m glad to announce that the final piece has now been published!

You can read In A Galaxy Far, Far Away: On Classical Reception and Science Fiction over at Strange Horizons.

Ultimately, I’m very pleased indeed with how the piece turned out. As I explained in my preliminary blog post, this is quite a big shift away from some of my usual stomping ground, and I’ve really appreciated the opportunity to get familiar with the territory. That’s because I have another project on tap that looks like it will make really good use of the sort of material that I got to use and get familiar with for this piece – but that’s another story for another time. Until then, enjoy this overview of the state of the field, and do let me know what you think!

March 10, 2015

Classics and sci fi – some initial thoughts

Filed under: Research — lizgloyn @ 2:59 pm
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As some of you will have picked up on Twitter, one of my current research and writing jobs is for a short-ish piece on the current state of the field of classical reception studies and science fiction for Strange Horizons (the lovely people who, as you’ll remember, published my short article on crossing borders in classically influenced fiction). This isn’t entirely new ground for me, as that piece shows, and I’m thinking quite a lot about sci fi and fantasy in general as part of the monsters project. But being asked to do a review piece is a first for me, and also involves trying to get a sense of the state of a field that I have hitherto been on the edges of rather than deeply involved in.

I’m very lucky to know some of the people who are at the forefront of moving various conversations around sci fi and classics forward, and who are being very generous with their time, knowledge and expertise as I try and put this together. However, one of the problems with coming to this as I am is that – well, let me make a confession. I don’t think I’m really a fan.

I don’t mean I’m not a fan of science fiction, broadly defined – it’s a fun genre, and while I do lean more towards fantasy (allowing that the border between the two genres is extremely fluid), sci fi does some interesting and cool things. I’ve been trying to read some more of the sci fi landmarks since attending the Swords, Sorcery, Sandals and Space conference, at least in part because I felt I was missing out on a whole chunk of the discourse by not knowing the major texts to which papers and participants were referring. (So I’ve since read the Asimov Foundation trilogy, for example, and got a brief review of Slow River into the Times Higher Ed.) But the problem is that I’m coming to this as an adult who wants to be informed about the field, not as someone with the kind of all-encompassing hunger and passion I remember from my younger years who falls in love with a series or a writer and commits whole-heartedly to their work. I’m talking, and I say this with affection, of the sort of devotion you get in Trekkies. Or indeed in devotees of Buffy and Angel. (Some of these issues are similar to those we encounter when using the personal voice in academic work.) The closest I come, if I’m honest, is probably my irrational fondness for Hope Mirrlees, and while Lud-in-the-Mist is a starter for one, it’s not exactly an in-depth familiarity with the broad sci fi canon.

So the biggest challenge for me in writing this particular piece has been overcoming good old imposter syndrome. There are other problems too, of course. I’m drafting so I’m not too worried about the tone I’m taking yet, just getting words on the page will do, but there are issues about the right sort of way to write for a venue like Strange Horizons. It’s obviously not an academic journal, but neither is it this ‘ere blog, where I can be as informal and chatty or technical and jargony as I feel like being. I’m wondering about structure and organisation, and the sorts of things that readers will take for granted and that I need to spell out (the usual concern when writing for a non-academic audience, compounded by said imposter syndrome which assumes that every reader will already know everything I have to say, which is clearly nonsense). But most of all, it’s having the courage to have a go – after all, if I wasn’t up to it, I wouldn’t have been asked.

Now that the writing is underway, it’s actually turning out to be quite fun, and I’ve read a lot of really interesting stuff along the way. So keep an eye out for the final piece, which should appear in April or May some time, and you can judge how successful it’s been for yourself!

June 28, 2013

Petition against privatising UK student loans

Filed under: Meta — lizgloyn @ 1:36 pm
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As Twitter and the New Statesman noticed yesterday, Danny Alexander has confirmed the government’s intention to privatise the student loan book.

There are so many things wrong with this that I can’t quite begin to articulate them, but let’s settle for the fact that there are some suggestions in a leaked memo that the interest on existing loans could be increased retrospectively.

Given all the problems and issues we’re facing with getting the most talented students from any background into higher education, the privatisation of the loan book would be one further discouragement from pursuing further study from those without independent financial resources. It would be one further step towards the privatisation and marketisation that is already creeping into the university sector, where (to my mind) it has no place. And it won’t ultimately do anything towards improving the country’s financial situation right now.

Tim Whitmarsh has set up a petition calling on the government not to privatise student loans. Please take a minute to sign. If this goes through, there will be serious consequences for all UK universities, academics and students.

April 25, 2013

Outreach: speaking with IRIS

Filed under: Teaching — lizgloyn @ 9:36 am
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I’m sure most of you who hang around here will have come across the awesome IRIS Project, whose mission is to give children from all walks of life an opportunity to learn about the languages and cultures of the ancient world. One of their initiatives is the Mayor of London’s Love Latin scheme, where Boris has put his money where his mouth is – after saying publically for so long that Latin is wonderful, he’s backing a scheme to get Latin into as many schools in the capital as possible, not just those in economically privileged areas. The scheme pairs volunteers with schools; the volunteers then go in to give a talk on whatever subject the school would like. Hopefully this then creates the opportunity for the school either to use the interest that generates in pupils to start teaching a new subject, to continue as members of the scheme next year, or to build on the experience in some other way.

Given that my roots are in London and that I too think it’s hugely important to let students from as many backgrounds know that classics is for them as much as it is for anybody else, signing up to be part of the scheme was a bit of a no-brainer. I wasn’t able to participate last year, which was the first year the project ran, but I was able to fit something into my schedule this year. So last week I pottered off to a primary school in Highams Park to give two Year Four classes an hour’s taster of Latin, as the beginning of their unit on the Romans.

I will admit to having some nerves about whether I’d aimed the talk at the right level – Year Four is eight and nine year olds, and while I had quite a lot to do with that age group when I was a teenager working with the YMCA Day Camps, it’s been a while since I engaged with them in a meaningful way. Thankfully, it soon turned out that I’d pitched it just right, with three activities for the hour and enough variety to keep the children engaged. They’ll be going to see the Pompeii and Herculaneum exhibition at the British Museum in May, so I finished off with a bit of graffiti – real graffiti, mind, albeit with a little bit of judicious age-appropriate editing and a very informative crib sheet (and thanks are due to Jane Draycott for pointing me in the direction of Ancient Graffiti in Context). They all got extremely excited about this, which is what I was hoping – even in a heavily supported fashion, that feeling of solving the puzzle of translation is a reward worth earning.

I’m still smiling over the feedback sheets that they’ve filled out for the IRIS project. There’s something about the unrestrained enthusiasm of that age group that makes you grin – not to mention the boost to the ego of knowing that you have earned the accolades of ‘best time in the history of school’ and ‘the best ever visitor’. Shame that sort of keenness doesn’t last when students come to fill out university module evaluation forms!

March 10, 2012

On writing for a general audience – reflections after the fact

Filed under: Research — lizgloyn @ 5:35 pm
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I’ve just got home from giving that paper at the Birmingham and Midlands Classical Association branch sixth form conference, and I thought it was as good a time as any to draw together some concluding thoughts on the experience. It’s the first time I’ve given a talk to an audience  not made up of either undergraduates or academics, and a couple of things seem important to note after the fact.

Fourty-five minutes is not very long at all when you are trying to give a potted history of classics and film. It really isn’t. I have to salute Tony Keen here for generously giving me a list of the ‘greatest hits’ that should get name-checked, even if they didn’t get much analysis, which helped to crystalise my thoughts about what I wanted to do – as much in disagreeing with it as agreeing with it, but also in pointing out things like Agora (2009) which had completely slipped my mind. The problem with more modern material is that it isn’t included in Jon Solomon’s magisterial The Ancient World In The Cinema which is the more or less comprehensive account of all films made before about 2000. For more recent films, you have to rely on your memory, and I’m afraid to say that Agora had slipped mine – so I am very grateful to Tony for reminding me of its existence.

My original plan for the talk had been a quick-fire tour through cinema with a concentration on the three current big franchises (Clash, Immortals and Percy Jackson), but as I actually wrote the talk and worked out where I wanted to show clips, more and more time got used up – and I gradually figured out that this wasn’t actually a bad thing. My original structure had been based on my lecture format for my students, which is spend the first half of the lecture giving them basic information they need to understand the second half, and then spend the second half doing more in-depth analysis. For this talk, which wasn’t meant to give the audience any information on which they would later be examined, that more detailed analysis actually wasn’t necessary.


February 17, 2012

“Shall I include the homoeroticism?” – on writing for a general audience

Filed under: Research — lizgloyn @ 1:41 pm
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My current research task (at the end of a much-needed reading week) has been getting some ideas down for the talk I will be giving at the Birmingham and Midlands Classical Association branch sixth form conference. After a day of discussion about the set texts for the Latin and Classical Civilization A levels, as well as some speakers on general interest subjects, I will be giving the closing talk on Classics and Film. If you would like to find out more about the conference, or book a place, there are more details here – please pass them on to any sixth formers and their teachers you know who may be interested!

As I started to think about the topic to plan a general outline, I was struck by how many issues I had to take a position on to pitch the tone of the talk. First of all, I can’t assume any prior knowledge of classical film, and certainly not of reception theory. Second, I can’t expect to cover the whole range of classical film that has been produced in the history of film. The films produced by, for instance, Italian and French national cinema are going to have to go by the wayside, because I can’t do them justice in 45 minutes, and mentioning Maciste for the sake of mentioning Maciste doesn’t feel right. This means focussing on the cinema produced by American and English studios, which is a shame but probably makes the information more accessible to the audience and can be done respectably within the time limit.


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