As some of you will have picked up on Twitter, one of my current research and writing jobs is for a short-ish piece on the current state of the field of classical reception studies and science fiction for Strange Horizons (the lovely people who, as you’ll remember, published my short article on crossing borders in classically influenced fiction). This isn’t entirely new ground for me, as that piece shows, and I’m thinking quite a lot about sci fi and fantasy in general as part of the monsters project. But being asked to do a review piece is a first for me, and also involves trying to get a sense of the state of a field that I have hitherto been on the edges of rather than deeply involved in.
I’m very lucky to know some of the people who are at the forefront of moving various conversations around sci fi and classics forward, and who are being very generous with their time, knowledge and expertise as I try and put this together. However, one of the problems with coming to this as I am is that – well, let me make a confession. I don’t think I’m really a fan.
I don’t mean I’m not a fan of science fiction, broadly defined – it’s a fun genre, and while I do lean more towards fantasy (allowing that the border between the two genres is extremely fluid), sci fi does some interesting and cool things. I’ve been trying to read some more of the sci fi landmarks since attending the Swords, Sorcery, Sandals and Space conference, at least in part because I felt I was missing out on a whole chunk of the discourse by not knowing the major texts to which papers and participants were referring. (So I’ve since read the Asimov Foundation trilogy, for example, and got a brief review of Slow River into the Times Higher Ed.) But the problem is that I’m coming to this as an adult who wants to be informed about the field, not as someone with the kind of all-encompassing hunger and passion I remember from my younger years who falls in love with a series or a writer and commits whole-heartedly to their work. I’m talking, and I say this with affection, of the sort of devotion you get in Trekkies. Or indeed in devotees of Buffy and Angel. (Some of these issues are similar to those we encounter when using the personal voice in academic work.) The closest I come, if I’m honest, is probably my irrational fondness for Hope Mirrlees, and while Lud-in-the-Mist is a starter for one, it’s not exactly an in-depth familiarity with the broad sci fi canon.
So the biggest challenge for me in writing this particular piece has been overcoming good old imposter syndrome. There are other problems too, of course. I’m drafting so I’m not too worried about the tone I’m taking yet, just getting words on the page will do, but there are issues about the right sort of way to write for a venue like Strange Horizons. It’s obviously not an academic journal, but neither is it this ‘ere blog, where I can be as informal and chatty or technical and jargony as I feel like being. I’m wondering about structure and organisation, and the sorts of things that readers will take for granted and that I need to spell out (the usual concern when writing for a non-academic audience, compounded by said imposter syndrome which assumes that every reader will already know everything I have to say, which is clearly nonsense). But most of all, it’s having the courage to have a go – after all, if I wasn’t up to it, I wouldn’t have been asked.
Now that the writing is underway, it’s actually turning out to be quite fun, and I’ve read a lot of really interesting stuff along the way. So keep an eye out for the final piece, which should appear in April or May some time, and you can judge how successful it’s been for yourself!